Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.  Related Paintings of Correggio :. | The Mystic Marriage of St Catherine | Portrait of a Gentlewoman | Two ovals depicting a putto with a stag's head and a putto with a greyhound | Pendentives depicting Saint Thomas,Saint Bernard,and Saint John | Assumption of the Virgin,cupola |
Related Artists:
Ernest Fuhr
A popular illustrator of the period and this is classic patriotic art . 1874-1933
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.
Harold Gilman
(11 February 1876 - 12 February 1919) was a painter of interiors, portraits and landscapes, and a founder-member of the Camden Town Group. Though born in Rode, Somerset, Gilman spent his early years at Snargate Rectory, in the Romney Marshes in Kent, where his father was the Rector. He was educated in Kent at Abingdon, Rochester and Tonbridge schools, and for one year at Brasenose College in Oxford University. Although he developed an interest in art during a childhood convalescence period, Gilman did not begin his artistic training until after his non-collegiate year at Oxford University (cut short by ill health) and after working in the Ukraine as a tutor to a British family in Odessa (1895). In 1896 he entered the Hastings School of Art to study painting, but in 1897 transferred to the Slade School of Fine Art in London, where he remained from 1897 to 1901, and where he met Spencer Gore. In 1904 he went to Spain and spent over a year studying Spanish masters (Velezquez and Goya as well as Whistler were major early influences). At this time he met and married the American painter Grace Cornelia Canedy. The couple settled in London (apart from a visit to her family in Chicago, when Gilman ducked pressure to join the Canedy family business). They had two daughters (one in London, one in Chicago).